DE NHAT DINH BRONZENam Dinh · Vietnam Quotation within 2 working days Request a quote

Bronze foundry · wholesale & OEM · Nam Dinh, Vietnam

Solid cast bronze from Dong Quy, shipped by the pallet or the container.

We are a family-run Vietnamese foundry in Dong Quy, a bronze-casting village in Nam Dinh. We supply incense burners and altar sets, statues, plaques and decorative vessels to importers, altar and Buddhist-supply retailers, interior contractors and private-label brands — and we cast to your drawing as readily as to our own catalogue.

Five-piece bronze altar set, antique patina, dragon censer with crane pair and candlesticks
Material
Cast bronze / brass alloy
Method
Sand & lost-wax casting
Custom lead time
21–30 days
Wall thickness
5 mm · 8 mm at load points
Loading port
Hai Phong · air from Ha Noi
Private label
Yes — mark, box, insert
Dong Quya bronze-casting village in Nam Truc, Nam Dinh
3showrooms: Nam Dinh, Ha Noi, Hai Phong
36 kga size-65 five-piece altar set, solid cast
21–30 dfrom approved drawing to finished casting

01 — What we cast

Six product lines, one alloy, one finishing shop

Every line below is cast, chased and patinated under the same roof, so a mixed container leaves with one colour of bronze rather than five.

Line 01

Altar bronzeware

The Vietnamese ngu su five-piece set: censer, a pair of cranes on tortoises, a pair of candlesticks — plus incense bowls, water cups and offering trays.

  • Censers 40–70 cm; sets matched by scale, not only by name
  • Cranes stand 5–7 cm taller than the censer, candlesticks 12–15 cm shorter
  • Buyers: diaspora altar shops, temple suppliers, Buddhist supply wholesalers

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Line 02

Statues & figures

Cast figures and busts, from tabletop pieces to commissioned portrait work, finished in antique patina or polished bronze.

  • Lost-wax for fine modelling, sand casting for volume
  • Cast from your 3D file, a maquette, or photographs
  • Plinths, fixings and name plates cast to match

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Line 03

Plaques & lettering

Cast bronze plaques, memorial tablets, donor boards, relief panels and raised lettering for buildings and grounds.

  • Raised or recessed text, cast rather than engraved
  • Weatherable patinas and lacquer for outdoor sites
  • Drilled, studded or concealed fixing

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Line 04

Decorative vessels

Vases, bowls, hanging panels and relief pictures for interiors, hotels and gift ranges — what buyers group as Asian bronze décor.

  • Cloisonné enamel (phap lam) on selected forms
  • Hammered, chased and hand-engraved surfaces
  • Nesting sizes designed for efficient cartons

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Line 05

Custom & OEM casting

Your design, our furnace. Tooling stays with your account and a private pattern is never cast for another buyer.

  • Drawing or sample in, cast sample out before production
  • Your mark cast into the base, your carton and insert
  • Repeat orders cast from the retained pattern

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Line 06

Restoration & matching

A broken crane, a missing candlestick, a set bought years ago from another maker: we cast the replacement and match the patina.

  • Send dimensions and photographs taken in daylight
  • Colour matched against a sample posted to us
  • Useful for distributors carrying warranty claims

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01b — The goods themselves

Pieces photographed in our own showrooms

Showroom photographs of stock we have cast, not renderings and not studio pack-shots. The same forms are cast in any of the finishes below — tell us the form and the colour separately.

Five-piece bronze altar set in antique patina on a hardwood altar table
Five-piece altar set — antique patinaThe standard export finish: a warm brown-black over cast relief, wiped back on the high points.
Song Long censer set fully gold gilded
Song Long set — fully gold gildedGold leaf over the whole body. The showpiece of a shop window, and the item buyers photograph.
Cloisonne enamel (phap lam) censer set
Cloisonné enamel — phap lamEnamel fired into cast cells. Slow work, and the line that separates a bronze shop from a bronze foundry.
Hoa Soi pattern altar set in scraped red bronze
Hoa Soi pattern — scraped red bronzeRed bronze taken back to bare metal and lacquered. Reads warmer and pinker than brass under shop lighting.
Red bronze censer set with five-colour metal inlay
Five-colour metal inlayOther metals inlaid into the casting rather than painted on, so the pattern does not wear off.
Phuc Loc Tho Khang Ninh set, gilded and silver plated
Phuc Loc Tho — gilded and silver platedTwo finishes on one set, used to pick out the figures against the body.

Full catalogue & finishes Compare the eight finishes

01c — Inside the workshop

The people who will actually make your order

Photographs taken on our own shop floor in Dong Quy. Not a stock library, not a rendering, and not somebody else's factory.

Finished bronze stacked in cartons in the dispatch bay of the De Nhat Dinh workshop, Nam Dinh
Our warehouse, not a trading officeGoods are cast, finished and dispatched from our own premises in Nam Dinh.
Lacquer being brushed onto a censer lid by hand at the finishing bench
Finished by hand, piece by pieceWhich is why we talk about colour matching rather than colour codes.
Molten bronze poured from a crucible into a sand mould on the casting floor
Poured in our own yardBronze melted and poured on our casting floor in Dong Quy, not bought in as blanks.

See the whole workshop

02 — Why buy from the foundry

You are buying from the people at the furnace, not from a trading office

Importers in 2026 are keeping fewer suppliers and looking harder at each one. Three things change when you deal with the workshop directly.

Origin

Cast here, documented here

Every piece is poured and finished in our own workshop in Nam Dinh. The certificate of origin follows the actual production lot, and you are welcome to watch a pour.

Correction

A fault is re-cast, not argued about

When a casting is wrong we make it again, because the pattern, the furnace and the chasers are ours. A trading company has to go back and negotiate with someone else's factory.

Continuity

Your pattern is kept on the shelf

Repeat orders come off the pattern we made for your first one, so the fifth container matches the first. Private patterns are not cast for other buyers.

03 — How an order runs

Seven steps from your line list to a container

  1. Line list

    You send items, sizes, finishes and quantities — or a drawing. Photographs of a competitor's piece are fine as a starting point.

  2. Quotation

    We answer within two working days with unit prices EXW Nam Dinh and FOB Hai Phong, unit weights, carton or crate sizes and a lead time.

  3. Sample

    Catalogue sample from stock, or a cast-to-drawing sample. Sample cost is credited against the first production order.

  4. Proforma & deposit

    Terms confirmed in writing on the proforma invoice; production is scheduled on the T/T deposit.

  5. Casting

    21–30 days for custom work, plus finishing. We send photographs at the fettling and patina stages so colour is agreed before packing.

  6. Inspection

    Dimensions, weight and colour checked against the order. Filmed or third-party inspection on request if you cannot travel.

  7. Packing & documents

    Foam, carton, wooden crate for heavy pieces; invoice, packing list and certificate of origin issued to match the shipment.

04 — Before you quote your customer

The numbers we publish, so nobody argues after the container lands

Dimensional tolerance
±1–3 cm across a setMore than 5 cm on a single piece is a fault, not a tolerance. Proportion between pieces matters more than any absolute figure.
Wall thickness
5 mm, 8 mm at load pointsSolid casting, not spun or pressed sheet — which is why the pieces feel heavy for their size.
Trade sizes
A “60” censer measures about 57 cmTrade names describe the pattern. We quote the measured figure on the proforma so your catalogue is right.
Quotation time
Two working daysPrices are not published: bronze is priced by weight, size and finish, and the alloy moves with the metal market.

Full specifications & tolerances

05 — Packing, freight and landed cost

Bronze is dense, and that is what decides your freight bill

The mistake a first-time importer of cast bronze makes is planning the order by volume. A mixed order usually reaches the weight limit of a 20 ft container long before it fills the space, and it is much cheaper to discover that on a spreadsheet than at the port.

On every proforma

The numbers you need to cost a shipment

  • Measured height of each piece, not the trade size
  • Unit weight and packed weight
  • Carton or crate dimensions and pieces per carton
  • Total gross weight and total volume of the order

How it travels

Foam, carton, crate

  • Each piece foam-wrapped, then cartoned
  • Heavy censers and tall cranes in wooden crates
  • ISPM-15 heat-treated timber where your market requires it — ask at order stage so the documents match
  • Cartons marked to your shipping mark if you send one

At your end

Duty: ask your broker, not a website

  • Decorative cast bronze usually falls under HS 8306 or 7419
  • We publish no duty rate — rates on Vietnamese goods have moved more than once recently
  • We supply invoice, packing list and certificate of origin against the production lot
  • Tell us which certificate-of-origin form your customs wants

Before you commit to a container

Send us the assortment you have in mind and we will return the weights and carton sizes first, free and before any price discussion, so you can run your own freight and landed-cost numbers. Plenty of buyers start with a pallet of LCL rather than a full container — we would rather you did that and came back than over-ordered once.

Send a line list, get a quotation in two working days

Tell us sizes, finishes and quantities. We answer with unit prices EXW Nam Dinh and FOB Hai Phong, weights, carton sizes and a lead time you can put in front of your own customer.

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